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| Hawkman Vol. 1 No. 12 (Feb-Mar 1966) / Art by Murphy Anderson |
Article by Chris Gia
In comics, judging a book by its cover is not only natural, it’s the business model. The cover must command attention instantly, with a distinguishing image on a crowded newsstand.
A powerful cover communicates tone, genre, and urgency before the first panel is even turned. Hawkman’s covers, with their sweeping wingspans and mythic staging, exemplify this principle, demanding the reader not only notice but commit, convinced that what waits inside will soar just as high.
The Modern Comic Age begins in June 1961, when Marvel publishes its first title under the new corporate banner. And it’s one of the greatest artists of all time, Joe Kubert, who reinvented Hawkman for this new, exciting era on Brave and the Bold. However, it was Murphy Anderson, firmly ensconced in DC’s bullpen, who produced 44 covers in total and got the reins to start Hawkman.
In comics, judging a book by its cover is not only natural, it’s the business model. The cover must command attention instantly, with a distinguishing image on a crowded newsstand.
A powerful cover communicates tone, genre, and urgency before the first panel is even turned. Hawkman’s covers, with their sweeping wingspans and mythic staging, exemplify this principle, demanding the reader not only notice but commit, convinced that what waits inside will soar just as high.
The Modern Comic Age begins in June 1961, when Marvel publishes its first title under the new corporate banner. And it’s one of the greatest artists of all time, Joe Kubert, who reinvented Hawkman for this new, exciting era on Brave and the Bold. However, it was Murphy Anderson, firmly ensconced in DC’s bullpen, who produced 44 covers in total and got the reins to start Hawkman.
